I know I said I would take time off after finishing the foundation draft of Raven’s Blood, and I have. More or less.
But May has had other ideas, and in fact it’s been a bit hectic down on the ranch this last while. Some of that hecticness has been respectable and productive, and some of it has involved the kind of aggressive, determined sloth that accomplishes nothing but leaves you nonetheless exhausted.
…holy shit, that is a really scary-looking aggressive sloth. Calm the fuck down, man. Have a burrito or something.
Anyway, in lieu of a more substantive post – that may come next weekend, once I regrow some updates – here’s a swag of updates, links and disconnected bits. Which is pretty much like the rest of the internet, I guess.
Continuum X is in two weeks! The programme is out now, and you’ll find that I am speaking on a number of panels, as if I had something to say rather than just being some random yahoo off the street. Those are:
- Remembering Iain Banks
- It’s All Been Done: Writing in the Age of TV Tropes
- Modern Roleplaying
Those are all on Monday 9 June, the last day of the con, so come along to hear my too-rapid ramblings after you’ve had your fill of everything and everyone else. On the other days, look for me in the local bars, especially if they’re karaoke bars; I have a feeling some of the GenreCon crowd and I are going to want to belt out ‘Sweet Child o’ Mine’ over a couple of tequilas.
As we all know, when I’m not writing I’m slacking off playing games, and I felt I deserved to play something after April’s efforts. So I borrowed Batman: Arkham Origins from a co-worker, and thanks to some time off caused by mild food poisoning (yay) I was able to play it all the way through over a couple of weeks.
And I kinda liked it! I played Arkham City a few years back, and you may recall that while I enjoyed the gameplay I thought the story and tone was aaaaallll over the shop, and that the constant misogyny just ground all the joy out of playing. Well, Origins avoids the worst of that; it has a clear, consistent direction and it knows where to draw the storytelling line to keep everything hanging together. The core storyline – Batman fights a horde of assassins in the course of one night while early in his career – stays the course, while the side adventures never drift too far away from that in mood. (And it avoids misogyny largely by having no female characters to speak off, but that’s sadly predictable.) There’s even an honest-to-god character arc.
Of course it’s still overly grimdark to the point of being goofy, Batman is a violent thug and everything in Gotham is on fire ALL THE TIME, but that seems to be the established norm for this character now. While the addition of more detective-oriented plot bits is welcome, they all boil down to [push button to have Alfred identify murderer for you], the end-game is anti-climatic, and it runs into the problem all prequels do in that it has to try to foreshadow everything that comes later.
But still. Pretty fun. Definitely worth the nothing I paid for it.
In other gaming, I finished my other ongoing RPG campaign, the extremely intermittent Weird-West game Tribulation. We were a long time getting to the end, but I think it was worth it.
It was a strange ending, though, one that took in time travel and paradoxes, and pushed those to the point of rewriting everything that had gone before. That’s a hard road for a story to follow, and it’s made me think a fair bit about the nature of stories like that, the need for foreshadowing (and how to make that work), and whether you can end a story with ‘this story didn’t happen’ while still making it satisfying for the audience for whom it did.
Hmm. More thoughts on that later, perhaps – especially once I see X-Men: Days of Future Past, which looks to be trying to pull off something similar. Hopefully their special effects budget is bigger than mine. Although will they have as many Dr Who references? Probably not, he said smugly.
My dog continues to be pretty freakin’ cute.
The Emerging Writers Festival starts this week! I’m not involved in it this year, but if I get organised I’ll be heading off to various events and seeing how many friendly faces I recognise. If you’re headed that way, let me know what you’re going to and maybe we can have a play date. Come on, motivate me; don’t let me slack off.
Speaking of writing, the first couple of alpha-reader reviews have come back on Raven’s Blood, and they’re pretty positive. I think. I haven’t really looked at them; I’m trying to keep that book out of my head entirely for a while until I’m ready to rewrite.
In the meantime, I just finished a short story for an anthology that… actually, I don’t know if I’m allowed to talk about that yet. But it’s an odd little piece that was fun to write; let’s hope the editor likes it.
And then next week, to kick off June, I begin work on the next book, for which I can finally reveal the title:
The Obituarist II: Dead Men’s Data
Yes, the continuing adventures of Kendall Barker, um, continue. Come back to the poorly-swept streets of Port Virtue for another tale of death, social media and spreadsheet abuse! There’ll be thrills! Spills! Returning characters! New characters! Poor life choices! Swearing! And some bits that I hope take readers by surprise.
The plan is to write this novella throughout June, aiming for a total of around 24 000 words by the start of July ready to hand over to test readers and my editor. (Who I also have to hire again, along with my cover designer.) I found a good rhythm with the first novella, punching out one 1000-odd word chapter each night; if I can get that vibe again I should easily be able to hit the deadline while still taking time off a few nights each week for nerding and bourbon.
And once that’s done, it’ll be time for Raven’s Blood rewrites.
This momentum is probably good.
I may need defibrillation by August.